Badgerlore
Ben Frost
Bird Show
Charalambides
Chicago Underground Duo
Cloudland Canyon
David Daniell
David Daniell & Douglas McCombs
Faust
Glenn Jones
Jack Rose
Josephine Foster
Larsen
Lau Nau
Lichens
Loren Connors
Michael Hurley
Mountains
The Necks
Neptune
Paul Flaherty
Peter Walker
Phantom Orchard
Pumice
Rhys Chatham
San Agustin
The Skull Defekts
Soft Circle
Spires That In The Sunset Rise
Tim Hecker
Tony Conrad
the USA Is A Monster
White/Light
XXL
Yellow Swans
Zeena Parkins
David Daniell & Douglas McCombs
Location
Chicago, IL
 
Label
Thrill Jockey
 
Website
thrilljockey.com/artists/?id=12220
 
Mp3

Availability
Festivals; Special engagement fly-ins; tour support. US/Europe.
 
Current Dates
3/4 The Blue Moose Tap House Iowa City, IA
3/6 The Cave @ Carleton College Northfield, MN
3/7 Triple Rock Social Club (With guest drummer JT Bates.) Minneapolis, MN
3/11 The Music Gallery Toronto, ON
3/12 Casa Del Popolo (Under the Snow Festival / Festival Sous La Neige) Montreal, QC
3/13 Mills Gallery at the Boston Center for the Arts (With Glenn Jones and Pairdown.  Presented by Work & Worry.) Boston, MA
3/14 Union Pool (Guest drummer Ryan Sawyer. With Alan Licht / Loren Connors / Margarida Garcia trio and Ben Vida (Bird Show) / Koen Holtkamp (of Mountains) duo.) Brooklyn, NY
David Daniell & Douglas McCombs

David Daniell and Douglas McCombs first met in early 2006 while touring as members of Rhys Chatham's six-guitar "Die Donnergötter" band. Following that tour, the two spent several months trading albums and discussing making music together; they began their musical collaboration when Daniell moved from New York to Chicago later that year to study pedal steel guitar.

These humble beginnings do little to reflect the depth and breadth of each of their talents; both are highly-respected musicians within their circles. Over the years Daniell has collaborated with many notable musicians, including Loren Connors, Rhys Chatham, Tim Barnes, Jeph Jerman, Thurston Moore, Greg Davis, and Jonathan Kane, as well as releasing numerous albums under his own name and with his band San Agustin on labels such as Table of the Elements and Family Vineyard. McCombs is more often seen wielding a bass guitar, whether as a member of Eleventh Dream Day, the acoustic collective Pullman, or the pioneering and inimitable Tortoise; in his role as the driving force behind Brokeback; or through his varied work with the likes of Tom Ze, Azita Youseffi, Will Oldham, Yo La Tengo, and Calexico.

In live settings, the duo of Daniell on electric guitar and McCombs on electric guitar and lap-steel is often expanded into a trio via the addition of a drummer. Three drummers have often filled this third seat in the live band: Frank Rosaly (a staple of the Chicago jazz and improvised music scene), fellow Tortoise member John Herndon, and Steven Hess (a member of Pan American, Haptic, and On).

The duo's 2009 Thrill Jockey release Sycamore is the first album to document the music of this duo. Much like their live performances, Sycamore is a delicate tapestry of spacious and ethereal guitar lines woven into abstract, slow-burning and multi-layered textural improvisations. The sounds blend and overlap to create richly faceted and thickly psychedelic passages, unveiling new layers of detail with each and every listen.

Press

"...delicate, abstract guitar symphonies... nothing short of stunning." —The Deli

"The guitars morph into metal pipes, clocks, mice, flutes and other unidentifiable forms in the darkened, slightly reverberating musical space. Processed to the point of being other things entirely, they play their roles with stark realism... they lay down warm melodies that spread out like a lazy drive through the desert, flat and boundary-less.... The album boggles the mind, one instrument producing such a vast, rich variety of sound." —Igloo Magazine

"Even the simplest gestures - an acoustic flourish, some behind-the-bridge twangs laid over the decay of a bowed cymbal, or a languid, Verlaine-like lead ringing through softened, bell-like tones - sound big. And when the music becomes denser, like the moment on "Bursera" where a freeform freakout suddenly lands on top of some shimmering, organ-like sustained tones, the effect is as dramatic as a Sergio Leone close-up." —Bill Meyer, The Wire