Badgerlore
Ben Frost
Bird Show
Charalambides
Chicago Underground Duo
Cloudland Canyon
David Daniell
David Daniell & Douglas McCombs
Faust
Glenn Jones
Jack Rose
Josephine Foster
Larsen
Lau Nau
Lichens
Loren Connors
Michael Hurley
Mountains
The Necks
Neptune
Paul Flaherty
Peter Walker
Phantom Orchard
Pumice
Rhys Chatham
San Agustin
The Skull Defekts
Soft Circle
Spires That In The Sunset Rise
Tim Hecker
Tony Conrad
the USA Is A Monster
White/Light
XXL
Yellow Swans
Zeena Parkins
Tim Hecker
Location
Montreal, Canada
 
Labels
Kranky
Alien8
 
Website
sunblind.net
 
Myspace
myspace.com/rainbowbloodx
 
Mp3

Availability
Festivals; Special engagement fly-ins. European Spring 2010.
 
Current Dates
2/10 Le Poisson Rouge (Unsound Festival with Mountains, Tape, and Radian.) New York, NY
2/11 Cambridge YMCA Theatre (Presented by World Music/CRASHarts and part of Together: The New England Festival of Electronic Music. With Mountains and David Daniell.) Cambridge, MA
3/5 Serial Space Sydney, Australia
3/6 The Lost Weekend Festival Brisbane, Australia
3/7 The Toff Melbourne, Australia
3/24 BeBe Theater (Presented by Harvest Records. With David Daniell.) Asheville, NC
3/26 Big Ears Festival Knoxville, TN
3/27 Big Ears Festival Knoxville, TN
3/28 Big Ears Festival Knoxville, TN
4/2 The Picador (Mission Creek Festival) Iowa City, IA
5/15 venue TBA Northampton, UK
5/16 Twisted Pepper (Presented by Sugar Water Promotions) Dublin, Ireland
5/17 The Freebutt Brighton, UK
5/18 Cafe OTO (Presented by ROOM40) London, UK
5/19 Cafe OTO (Presented by ROOM40) London, UK
5/20 Sacred Trinity Church Manchester, UK
5/21 Left Bank Leeds (presented by Forest of Sounds) Leeds, UK
5/22 Urban Explorers Festival Dordrecht, The Netherlands
5/25 venue TBA Istanbul, Turkey
5/26 venue TBA Riga, Latvia
5/27 O'Artoteca (Presented by: Luxa Neoma / Die Schachtel) Milano, Italy
Tim Hecker

Tim Hecker is a Canadian-based musician and sound artist, born in Vancouver. Since 1996, he has produced a range of audio works for Kranky, Alien8, Mille Plateaux, Room40, Force Inc, Staalplaat, and Fat Cat. His works have been described as "structured ambient", "tectonic color plates" and "cathedral electronic music". More to the point, he has focused on exploring the intersection of noise, dissonance and melody, fostering an approach to songcraft which is both physical and emotive. The New York Times has described his work as "foreboding, abstract pieces in which static and sub-bass rumbles open up around slow moving notes and chords, like fissures in the earth waiting to swallow them whole". His Harmony in Ultraviolet received critical acclaim, including being recognized by Pitchfork as a top recording of 2006. Radio Amor was also recognized as a key recording of 2003 by Wire magazine. His work has also included commissions for contemporary dance, sound-art installations, minimal techo works under the name 'Jetone', as well as various writings. Tim has presented his work in a live setting around the world, including performances at Sonar (Barcelona), Mutek (Montreal), Primavera Sound (Barcelona), Victoriaville (Quebec), Vancouver New Music Festival (Vancouver), and Transmediale (Berlin). He currently resides in Montreal.

Press

"One of Canada's most celebrated sound artists imbuing electro-magnetic b-rolls with humanity and grace." —Pitchforkmedia.com

"Imagine the most beautiful music in the world. Then with an old thrift store camera, take a super grainy snapshot of that music. Fold up the photo and place it in an envelope and mail it to an address that no longer exists. 20 years later, happen upon an old abandoned post office, and discover that letter unopened, but browned with age, remove the photo and place it in your pocket. Lose those pants on a camping trip, only to discover them the next summer, all wadded up in a corner, sprinkled with a years worth of dust and cobwebs. Wash the pants, and only afterwards discover the photo. Prop in up in the window of the cabin to dry, where it sits soaking up the sun for the whole summer. Right before you leave, grab the photo of the most beautiful music in the world and place it in your book to mark your place. Place the book back on your shelf and forget all about it. Move several times over the course of the next several years, finally unpacking a dusty old trunk filled with books. Leaf through several of them, when suddenly the most beautiful music in the world flutters to the floor, dusty and tattered, worn and nearly transparent. Finally, tear it up into tiny pieces and drop them one by one into the speaker of an antique victrola, wind it up and what comes out will be Tim Hecker's Harmony In Ultraviolet." —Aquarius Records

"A shuddering, visceral implication of... epochal decay, of penumbras of radiation emanating into space from an old, saturated world." —Cokemachineglow