Badgerlore
Ben Frost
Bird Show
Charalambides
Chicago Underground Duo
Cloudland Canyon
David Daniell
David Daniell & Douglas McCombs
Faust
Glenn Jones
Jack Rose
Josephine Foster
Larsen
Lau Nau
Lichens
Loren Connors
Michael Hurley
Mountains
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Neptune
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Peter Walker
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Pumice
Rhys Chatham
San Agustin
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Soft Circle
Spires That In The Sunset Rise
Tim Hecker
Tony Conrad
the USA Is A Monster
White/Light
XXL
Yellow Swans
Zeena Parkins
Tony Conrad
Location
Buffalo, NY
 
Label
Table of the Elements
 
Website
tonyconrad.net
 
Myspace
myspace.com/slappingpythagoras
 
Availability
Festivals. Available for Europe/USA special performances.
 
Current Dates
3/19 Palacio de Medicina (Radar Festival Musical Performance) Mexico City, Mexico
3/20 Museo Universitario Arte Contemporaneo (Radar Festival Conference) Mexico City, Mexico
Tony Conrad

Tony Conrad is considered one of the first "minimal" composer / performers, associated in his early period with La Monte Young, John Cale, Henry Flynt and legendary New York underground filmmaker Jack Smith. Conrad is also acknowledged as a pioneer of structuralist filmmaking (his 1960s film The Flicker is one of the key early works of the "structural" film movement), and in recent years he has presented and performed at festivals and events worldwide.

Conrad has worked in music composition, video, film, and performance and has taught video production and analysis in the Department of Media Study of the State University of New York at Buffalo since 1976. During the last ten years, Conrad has focused on music and performing recent works in new music venues, museums and clubs in the US and internationally. He has composed more than a dozen works, primarily for solo amplified violin with amplified strings, using special tunings and scales.

Press

"Tony Conrad is a pioneer, as seminal in his way to American music as Johnny Cash or Captain Beefheart or Ornette Coleman, one of those really savvy Old Guys whom all the kids want to emulate because their ideas, their style are electric and new and somehow indivisible." —Atlanta Journal-Constitution

"Conrad invents a new musical language... unbearably intense and gloriously ecstatic. A landmark recording in every sense." —The Wire

"Totally uncompromising... a marvel." —Artforum