THIS IS HOW YOU WILL DISAPPEAR

Multichannel spatialisation sound diffusion by Stephen O'Malley

From the score to This Is How You Will Disappear, the stage piece by Gisèle Vienne.

Music composed by Stephen O’Malley & Peter Rehberg between 2005-2010

75 minutes

BACKGROUND OF THE PIECE

This Is How You Will Disappear is a staged live performance piece created in 2009-2010 by Gisèle Vienne in collaboration with Stephen O’Malley & Peter Rehberg (music), Fujiko Nakaya (fog installation), Shiro Takatani (video), Patrick Riou (light), Dennis Cooper (text), Jonathan Capdevielle, Margrét Sara Gudjónsdóttir or Nuria Guiu Sagarra & Jonathan Schatz (performance & interpretation), José Enrique Oña Selfa (costumes), Les Ailes de l’Urga Patrice Potier, Simon Potier & Martial Vernier (hawks & owl handling) and others. The piece premiered in July 2010 at the Avignon festival and toured between 2010-2015, a total of 69 performances between 2010-today. In 2020 the team reprised the work for performances at Théâtre du Châtelet, Paris (FR) (cancelled because of covid-19), which at last premiered January 2022 at La Maison des arts de Créteil (FR) as part of the Festival d’Automne de Paris. The show will also perform in 2022 at Théâtre National de Bretagne, Rennes and Sadler's Well, London

The original intensive and immersive music score was composed and created by Stephen O’Malley & Peter Rehberg in collaboration with many players/musicians and was recorded and produced in Tokyo, Seattle, Austria, Bretagne and other places. The piece utilises a vast multichannel spatialisation setup incorporating IRCAM SPAT technology for the first time for the DACM company and composers. It was performed as a live mix/diffusion by O’Malley and Rehberg. The expansion of the spatialised sound diffusion possibilities marked a turning point in the extent of the music presented in O’Malley and Rehberg’s collaborations with Gisèle Vienne. The duo would continue working with these multichannel tools for the subsequent original scores for Vienne’s pieces.

After Peter Rehberg’s sudden death in August 2021, O’Malley was tasked with recreating the technical performance aspect of the extensive score. To preserve Rehberg’s music’s legacy and integrity and rebuild the ability to perform the entire score in the performance alone, and maintain the possibility to continue to perform it in the future as a multichannel tape piece. As part of this process, O'Malley worked on the production system in the multichannel studios at INAgrm in Paris, Music Unit with Manuel Poletti in Montrieul, La Becque in La-Tour-de-Pielz, and at Cinema Bellevaux, Lausanne.

Now, for the first time, and with the blessing of Vienne, Peter’s family & the DACM company, Stephen O’Malley will present the multichannel music as a stand-alone intensive listening experience on multichannel systems.

“The music (of This Is How You Will Disappear) reflects the various inner harmonies and conflicts. The compositions of Stephen O’Malley and Peter Rehberg range from displays of Dionysian beauty to spiritual music. This disparity underlines the show’s dramaturgy, whereby speech sometimes becomes impossible and gives way to the intensity of the music, which serves as a Dionysian mirror of the world. The music evokes a demon arising from the depths and plays a purging role while paralleling the theatrical presentation in such a way that makes us face that which lurks within. Thus, the music adds a metaphysical thrust that allows us to go beyond speech and image. We wish to probe and fully exploit this force and metaphysical aspect.” Gisèle Vienne, Paris 2010

More information about This Is How You Will Disappear is here:

www.g-v.fr/en/shows/this-is-how-you-will-disappear

* Note : due to the multichannel aspect of the score, the music of This Is How You Will Disappear has never been released as a stand-alone album. But, the recording session which produced the track "Sexy Angel" later developed into the Ensemble Pearl album, released by Drag City in 2012.

Dedicated to the memory of Peter Rehberg (1968-2021)

MUSIC CREDITS

From The Skies (O’Malley/Rehberg)
Guitar, bass: Stephen O’Malley
Batterie: Masami Akita
Electronics: Peter Rehberg
Recorded 0909 GOK Tokyo by Jim O’Rourke, 0210 Aleph, Seattle by Randall Dunn
Edited 0610 Brest

Bowing 2.1 (O’Malley)
EMS Synthi, Hammond: Stephen O’Malley
Piano: Jim O’Rourke
Violin: Eyvind Kang & Timba Harris
Recorded 0909 GOK Tokyo by Jim O’Rourke, 0210 Aleph, Seattle by Randall Dunn
String arrangements: Timba Harris
Edited 0610 Brest

Fieldwork1 (Rehberg)
Electronics: Peter Rehberg Recorded 0110-0310 Klosterneuburg, Stein, Wien
Edited 0610 Brest

Dynasty (O’Malley)
Guitars, Piano: Stephen O’Malley
Piano: Jim O’Rourke
Tuba, Trombone: Greg Powers
Trombone: Stuart Dempster
Violin, Trumpet: Timba Harris
French Horn: Josiah Boothsby
Violin: Eyvind Kang
Recorded 0909 GOK Tokyo by Jim O’Rourke, 0210 Aleph, Seattle by Randall Dunn
Brass & string arrangements: Timba Harris
Edited 0610 Brest

Olympia (O’Malley/Rehberg)
Electronics: Stephen O’Malley & Peter Rehberg Recorded 0210 HOH Rainforest & 0310 Stein
Edited 0610 Brest

Sirens (O’Malley)
Percussion, Electronics: Stephen O’Malley Recorded 0809 Golden Hum, London
Edited 0610 Brest

Mepry (Rehberg)
Electronics: Peter Rehberg Recorded 0605 Twisted Studio, Wien
Edited 0610 Brest

Expected To Survive (Rehberg)
Electronics: Peter Rehberg Recorded 1209 Twisted Studio, Wien
Edited 0610 Brest

Concrete Breathing (Rehberg)
Electronics: Peter Rehberg Recorded 0510 Twisted Studio, Wien
Edited 0610 Brest

Sexy Angel (O’Malley / Cooper)
Vocals: Noriko Tujiko
Lyrics: Dennis Cooper
Guitar: Stephen O’Malley
Guitar: Michio Kurahara
Bass: William Herzog
Batterie, Percussion: Atsuo Mizuno
Horns: Chet Scott
Recorded 0909 FLASH Tokyo by Masahto Suzuki, 0210 Aleph, Seattle by Randall Dunn
Edited 0610 Brest

Cold & Sexy (Rehberg)
Electronics: Peter Rehberg Edited 0610 Brest

Bowing2.3 (O’Malley)
EMS Synthi: Stephen O’Malley
Piano: Jim O’Rourke
Violin: Eyvind Kang & Timba Harris
Singing bowl: Chet Scott
Recorded 0909 GOK Tokyo by Jim O’Rourke, 0210 Aleph, Seattle by Randall Dunn
String arrangements: Timba Harris, Stephen O’Malley
Edited 0610 Brest

Olympia/Fieldwork2:Outro (O’Malley/Rehberg)
Electronics: Stephen O’Malley & Peter Rehberg Recorded 0610 Bretagne & 0110-0310 Klosterneuburg, Wien
Edited 0610 Brest


Premiered at the Festival d’Avignon in 2010, This Is How You Will Disappear takes us increasingly deeper into the heart of a forest the atmosphere of which changes over the course of the play. Three figures appear – a young athlete, his coach and a rock star. An epic tableau which evokes the internalized struggle between our intimacy and society.

The experience—amongst those which leave their mark on the audience—begins with an immense forest of abounding naturalism. It is a landscape in which various meteorological phenomena unfurl and subsequently overturn the playing space, as well as our perception and sensation of it, resulting in shifts from beauty linked to order towards that linked to chaos. The conflictual articulations of these two opposites enter into resonance with the three characters: a coach represents authority, and is the guarantor of a form of order which serves the purposes of a domination-based system, and the abuses it engenders; a young female gymnast embodies beauty linked to culturally-constructed perfection; and a young rock star embodies that linked to ruin. This Is How You Will Disappear evokes these cultural ideals and apparently contradictory canons of beauty rooted in our contemporary culture. The piece brings to the stage the internalised struggle between our intimacy and society's will to express itself via these representations. Gisèle Vienne, Paris 2020